Dub: Soundscapes and Shattered Songs in Jamaican Reggae. MICHAEL. E. VEAL. Middletown CT: Wesleyan University Press, x + pp. (Paper US$ . Dub: Soundscapes and Shattered Songs in Jamaican Reggae by Sonic Bodies: Reggae Sound Systems, Performance Techniques and. Middletown, CT: Wesleyan University Press () pp., Paperback, $ The task of documenting and conveying the significance of a.
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The producers made the most out of very little and in many Want to Read Currently Jamaicab Read. Refresh and try again. My library Help Advanced Book Search. I found most of the tracks on Rdio and YouTube.
Dub is a multifarious phenomenon: Wesleyan University PressApr 30, – History – pages. The author cites specific a and b-sides of singles to describe what makes each engineer unique. I suppose that I had just hoped that the first volume on the subject would be a pure history, concerned more with chronicling the who, what, when, where and how of the music rather than using it as a launching point for a pedantic examination of its social and cultural implications.
Martyn Deykers rated it it was amazing Nov 04, Book titles OR Journal titles. Aug 16, Spencer rated it liked it.
There are no discussion topics on this book yet. This isn’t necessarily a bad thing, though some of the language can get overwhelming to those inexperienced in this field, but to really appreciate it one has to have access to both the songs described or it just ends up seeming a bit hard to grasp. Some great bios and stories of the key players in dub are the highlight of this book.
Aside from that, an excellent overview of a rarely-covered field of study.
Dub: Soundscapes and Shattered Songs in Jamaican Reggae – Michael Veal – Google Books
Michael Shattersd Dub is an informative and welcome contribution to the reggae literature, to studies of Caribbean, Afrodiasporic, and Afro- American music and culture more generally, and to the growing field of writings [End Page ] concerned with recording technologies and the social as well as musical dynamics of recording studios MeintjesKatzGreen and Porcello Instead of being a tabloid-style tell-all like most other books about music, this book tells the story of dub with a strong emphasis on musicology.
Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide. Will Evans rated it really liked it Jul 06, The author takes pains to mention that there has never before been a book dedicated reggwe to reggaf genre of Dub, and I am very grateful that the subject has been taken up and that soundsvapes book exists. Paul Corupe rated it liked it Nov 05, Dub involves remixing existing recordings–electronically improvising sound effects and altering vocal tracks–to create its unique sound.
JHat rated it really liked it Apr 05, This is in depth stuff not for the merely curious, but essential reading for the dub fanatic. The author also covers the historical and sociological influences on dub and its assimilation into music of many cultures. Clear-headed academic overview of dub. Other editions – View sings Dub: And I greatly appreciate the new understanding I have gained about the specific personalities involved in the genesis and proliferation of the music, the details of the equipment and studios being used to create it, and the context in jajaican Dub was played in Jamaica and abroad.
Dub: Soundscapes and Shattered Songs in Jamaican Reggae
Sep 20, Ray rated it it was amazing. Recommended listening appendix, notes, bibliography, index of songs and recordings, index of general subjects. But that is it’s magic. In addition to chronicling dub’s development and offering the first thorough analysis of the music itself, author Michael Veal examines dub’s social significance in Jamaican culture.
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Dub: Soundscapes and Shattered Songs in Jamaican Reggae by Michael E. Veal
As the author puts it:. Soundscapes and Shattered Songs in Jamaican Reggae. This music didn’t really sound like Dub, but took to heart the creative process of playing the studio like an instrument, which to me is more interesting than music that is directly derivative.
Index of General Subjects. Matthew rated it it was amazing Sep 10, Jus Like a Volcano in Yuh Head. One way that Veal gets at the myriad intersections of the sonic and the social is through the term “soundscape,” originally coined by Canadian composer, theorist, and environmentalist Murray Schafer to describe the sonic profiles or acoustical environments of the physical spaces we inhabit see, e.
That being said, between some tips from this book, Internet searches, Pandora’s dub channel, and watching the film Rockers recommendedI’ve had an enjoyable, deeper excursion into the world of dub. The reason that I think those two artists in particular were important to have brought up, is that their influence from Dub was derived during ssoundscapes most fertile period.
Selected pages Title Page. All that being said, if I was on the thesis committee for this book, my red pen would have just about run out of ink. Although Veal’s frequent use of soundscape appears to muddle the term, at least in the sense that Schafer first proposed it and subsequent scholars and theorists have employed it, the mis use appears to be an attempt on Regvae part to show how imbricated songs, sounds, and their social environments often are—not to mention to emphasize the role that engineers and producers play in sculpting sounds and songs.
I never expected a book ostensibly about music to be so riddled with scholarly references to hyphenated-last-name “thinkers” or the “cross-cultural renegotiation of our understanding of modernity.
Solid overview of dub that touches on musicology, history, and post-colonial theory to explain the style’s prominence and lasting influence. Paperbackpages.