Ein Veilchen auf der Wiese stand, Gebückt in sich und unbekannt; Es war ein by Wolfgang Amadeus Mozart ( – ), “Das Veilchen”, K. (). Wolfgang Amadeus Mozart. Das Veilchen, song for voice & piano, K. Composition Information ↓; Description ↓; Appears On ↓. Share on. facebook. Wolfgang Amadeus Mozart: Das Veilchen – Choral collection Mozart / Haydn, vol. IV. Secular choral music for mixed voices. Mozart: 30 Lieder Shop.
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The remarkable confluence of music and poetry that appeared in the works of Franz SchubertRobert Schumannand Hugo Wolf made the diminutive lied a vessel for Romantic outpouring and a unique distillation of the Nineteenth Century spirit.
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Mozart – Das Veilchen
This song is Mozart’s only setting to a text by Goethe. If you wish to copy it and distribute it, you must obtain permission or you will be breaking the law. The Best of Mozart. Subtle changes of inflection, modality, and vocal contour bring out the tragic irony of Goethe’s ostensibly simple poem and create a psychological mini-drama, foreshadowing the direction lieder composition would take under the influence of a new generation of poets.
AllMusic Featured Composition Noteworthy. Kennst du das Land: Problems playing this file? Recordings from the Archives. Wolfgang Amadeus Mozart Master Works.
Other available translations, adaptations or excerpts, and transliterations if applicable: Lieder aus drei Generationen. To reprint and distribute this author’s work for concert programs, CD booklets, etc. The poem is written in three stanzasbut instead of using strophic formMozart creates a through-composed work, demonstrating his careful attention to the words of the poet by creating a different mood for each verse.
Goethe wrote the poem in or early Veilchen K; Abendempfindung an Laura K Moazrt the French songs were very popular when written, they have since become better-known in German translation. In “Das Veilchen” it is a careless girl who destroys a violeta metaphor for a young man’s heart. The first stanza takes up the next 15 bars. However, often veilcyen is the extent to which the Romantic lied was indebted to a long standing tradition of Germanic song, and specifically the songs of Mozart, Haydnand Beethoven –the authors of the first true masterpieces of the genre.
Mozart made a telling addition by adding his last line. Songs of Debussy and Mozart.
Das Veilchen, song for voice &… | Details | AllMusic
Introspection Late Night Partying. The vocal range covers only the interval of a ninthfrom F 4 to G 5. The maiden came, without a glance or care for him, she trampled down the violet. Sexy Trippy All Moods.
Das Veilchen, K.476 (Mozart, Wolfgang Amadeus)
The narration of the third verse is a recitativo accompagnato in E-flat major culminating in the trampling of the violet which is emphasised by a following general pause. Vocal Omzart including Concert Arias and Lieder. Copyright infringement is a criminal offense under international law. The piece starts with a 6-bar introduction of the melody of the first line by the piano.
Hansen [ sung text not yet checked against a primary source ] by Othmar Schoeck -“Aus Erwin und Elmire “, op. The entry of the shepherdess is marked by a modulation to D major ; this is followed by a four-bar segment which summarises the violet’s happy mood — and a general pause which precedes the mood swing of the second verse, a change of key to G minor to describe the violet’s longing.
The dying flower is described by a chromatically falling line, before the final modulation back to G major changes the pain into jubilation: For more information, contact us at the following address: German Wikisource has original text related to this article: This page was last edited on 21 Augustat Genre Vocal Music Classical.